Well, it's a start. I'll add others as and when I hear about them. Check back from time to time and please send me the names of any literary/poetry magazines and journals that accept email submissions that you know about.
Many magazines still prefer postal submissions and will get pretty pissed off if you email them so check before.
Some magazines on the list that accept email contributions also operate submission windows.
At the age of just five, Arlo Giovanni Butler (A.G., as his friends call him) is the youngest of the New Next Generation Poets. Butler won the National Poetry Competition while many of his contemporaries were still struggling with phonemes and secured a publisher for his first collection before finishing prep school.
After graduating from UEA at the age of eight, he relocated to East London where he established the capital's premier spoken word club night which attracts edgy outsiders, hip mainstreamers and not a few bebrogued hangers-on who, when their friends aren't looking, will passionately explain that poetry is cool because it is 'free from the logic of capital'. Comparisons with the New York School of poets aren't entirely undeserved since, in the words of another commentator, 'they sometimes seem only interested in each other.'
Once active online, Butler explains he stopped engaging with social networking systems after winning the T.S.Eliot prize f…
Festschrifts and translations of Gottfried Benn are all well and good, but I can't help thinking this absence in my life isn't going to be filled until Michael Hofmann publishes another collection of his own poetry. In the meantime, here's this appropriately titled book of essays to look forward to. Published by Norton later this year, it looks like being a reprint of his prose selection 'Behind the Lines' (Faber, 2001) for a U.S. readership. The original volume didn't go to a second edition, and with the spread of Hofmania in the U.K. in recent years, it's been difficult to get hold of a copy at a reasonable price. In a way its publication is reassuring since it means Hofmann hasn't yet completely 'done a Rimbaud', but his long poetic silence, if not a repudiation of poetry, still haunts and fascinates other poets in equal measure.
Readers of Hofmann's poetry naturally hope he will publish more again one day. Dig a bit further, especially a…